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jfbrunergff
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Name: Jacob Country: United States State: Montana Metro: Bozeman Birthday: 1/13/1953 Gender: Male
Interests: Classical guitar, late night conversations on the back deck, art, creative nonfiction, life-giving relationships, and an increasingly real faith. Expertise: Jack of all trades, master of nothing.
Message: message me Website: visit my website
Member Since:
3/22/2005
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| Then There Were Three My wife, Deborah, decided early on that she wanted to give birth at home. To be honest, I had no idea you could choose not to give birth at a hospital. I imagined bedrooms and rear-seats strictly as unintentional places to do the job. My wife, who comparatively has a stronger grasp on reality, knew quite a bit about midwifery and the art of natural childbirth. Although unfamiliar to me, I quickly latched onto the idea. The first thing that appealed to me was this: natural childbirth inherently challenges institutional norms, and I really get a kick out of that. Secondly, and slightly more important, it was what my wife wanted. Knowing we weren’t going to let the blokes at the infirmary take care of the labor, we decided to put more time into educating and readying ourselves. In hindsight, our preparation didn’t truly show us what to expect. Birthing a child is such a surprising and inimitable experience that books, statistics and exercises are mostly like shaking a well stuffed Christmas present. However, they still served a vital function: mentally and emotionally counteracting all the stagy implausibilities you hear from people almost daily. You see, most everyone who sees a pregnant belly, that unmistakable bulbous protrusion, will feel the need to say something to its owner. While typically flattering and nice, the unsolicited comments almost always run short of being useful. That is, they consist of predictions and opinions that belong squarely in the category of wives tales. Boy or girl, premature or late, fat or thin, tall or short. Apparently, just about everything there is to know about a human being in utero is evident from the look of the mother’s unexamined, clothed, pregnant mid-section. And since giving birth is a fairly common thing, everyone has a story to tell. And they do. Without hesitation. They usually deal with emergency procedures, rare conditions, unholy sums of money, tearing, screaming, and pretty much everything else theatrical enough to give you the sudden urge for a bucket of popcorn and some Bon-Bons. Even though I put a lot of effort into flushing my mind of those distractions, it was still a challenge to face my wife’s labor completely without nettling expectations. Labor is an act of creation through facilitation, not something a woman is merely subject to. Right? I wondered whether I was naive for hoping everything would happen in an idyllic way, at home and completely unmedicated. Perhaps there really was a reason hospitalized labors are the standard in our culture, and bringing a child into the world really is a dangerous and unnatural thing, like cliff jumping or snorkeling with sharks. In the end – and this is the great thing about pregnancy – come hell or high water, my questions were going to be answered. At two-thirty on a Tuesday morning, Deborah woke me up complaining of really bad cramps. Bright red alerts went off in my head. Obviously, a full-term woman complaining of cramps sounds suspiciously like “I’m gonna have a baby.” I offered my sympathies and snuck a look at the clock. When she complained exactly two minutes later and did not stop for a full minute, only to complain exactly two minutes from then, I thought I should give up the idea of going back to bed. Once I decided that these “bad cramps” were indeed contractions, I scrambled through all the memories I had of pregnancy books and what they said about the “significant other” at this point. What was it? Ah, wait four to five hours before calling the midwife or doctor to let the woman ease into her labor from the comfort of home. Ease into it? It had been ten minutes and my wife could hardly stand and the contractions were falling on top of each other. On a bit more than a hunch, I immediately called our midwife. This not-so-gentle introduction to the world of contractions was not our first big surprise. Several weeks before Deborah’s due-date, our midwife went under open-heart surgery. At that point, our only options were to go to the hospital or the local birthing center, which was operated by certified midwives. The choice was clear, even though it meant leaving the comfort of home and, obviously, allowing a less familiar woman to catch our baby.
Deborah powered through her contractions. All the coaching I had learned, including silly phrases such as “let that big bag of muscles open the door for the baby,” had essentially flown out the window. Instead, I held her hand firmly and breathed in patterns for her to follow as I drove into town. By the time we reached the birthing center, it had been a mere two hours since Deborah had woken me. Soon after, the midwife was examining Deborah for progress. She made a somewhat surprised face and with wide eyes declared, “You’re eight, maybe nine centimeters dilated. I’d say you’re almost ready to start pushing.” So, okay. For months we had been reading, practicing, and feeling guilty for not reading and practicing. Yet here we were, all dressed up for the party and being told it was almost over. I knew that a woman’s first birth generally takes longer than subsequent ones because her body has yet to be pump-primed, so to speak. I did not know, however, that exceptions could stray so dramatically from the rule. Unless our child took ten hours to make her way the birth canal, this was going to be a wham-bam delivery. “Would you like to get in the tub for the rest?” our midwife asked. Deborah looked so focused that I wasn’t sure she even understood the question. When she agreed tacitly, I knew that our baby was going to be born into water. My father had fancied being with me in the waiting room, ready to fire up some cigars in old celebratory fashion. As pleasant an idea as that was, I would not trade the role I chose for the world. I slipped into a pair of swimming shorts and climbed into the tub with Deborah. Sitting tandem with my wife, her leaning back against my chest, she began pushing. Every tense muscle, every pattern of breath, sank into my body. It was so intimate. I knew full well that the unparalleled intensity Deborah was feeling was only felt by her. Still, I felt as close to the miracle of birth as a father could hope. Besides, sitting in that tub with a full bladder for over an hour, my ability to empathize had risen a few points. Deborah’s water did not break until well after our baby’s head began to crown. The nurse told us this was uncommon and a sign of a blessed child. The blessing was certainly a practical one, because the entire trip through the birth canal was a cushioned ride. Our baby came into this world in first-class luxury. Meanwhile, my wife was being coached by our midwife through the stages of pushing. Looking at Deborah’s face, feeling her whole body build confidently up toward what she alone could do, I watched as my beautiful wife unfurled into a powerful and capable mother. She turned to face me and said, “Tell me that I can do this.” I told her she could. And with that, it was as though I had magically fulfilled my duty. Deborah turned back around and expertly pushed our baby, our baby girl, into the water. There are many ways, all of them inadequate, to describe the moment you first see your child. I cannot even try. But I suppose the moment she arrived, her parents in a full body embrace for the last push, holding to each other in perfect union, might evoke the right feeling. Miraculous joy. Cora Evelyn Bruner, born February 24, 2009 at 6:35 a.m. Brown eyes and hair, 6 pounds, 14 ounces, 20½ inches | | |
| I'm not sure if this is news to anyone, but it's worth repeating. My wife, Deborah, is pregnant with our first child! I am going to be a proud father in 3 months. Is it a boy? A girl? Anyone's guess. Prenatal suspense is so much more thrilling, I would imagine, than painting a nursery wall blue or pink. I could be wrong.
To that end, I can feel the baby kick, prod, and shift just about every time I touch Deborah's belly, and some say this constant activity indicates a boy. I, being less prone to groundless prognostication (!), look to the more obvious explanation; our child, boy or girl, simply cannot stand to be warded away from its parents by layers of muscle and skin and is therefore making known its deep desire for the comfort of our arms over the impersonal warmth of amniotic fluid. I mean, that's what I would want. And without the ability to speak or even make meaningful grunts of dissatisfaction, I, too, would begin thrashing about wildly.
It's quite a sad scenario, honestly. Sick, even. But if I am correct, and we all underwent such extreme and protracted separation anxiety at so precious a stage in our development, then many, many, MANY things would suddenly make sense.
[Being an expectant father nicely strokes my need to feel needed. In truth, our child is probably more content than he/she will every be, ever again!]
P.S. I just noticed that only two entries ago, I was at the exciting and uncertain point of first talking long-distance with Deborah. In the next, I announce our engagement. And now, I am writing of our pregnancy. My life, as told by Xanga, changes at a breakneck pace. That is, of course, if you ignore the little dates attached to each entry. What a novelty to look at the past several years in such bold punctuations. I am a very blessed man. Very.
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| Trying to Write this Blog Felt Ironic ...So Whatever
We write for many reasons. Most of these reasons fall into the category of "expression", and yet, to me, writing with the hope of completely and accurately conveying yourself is, in a subtle way, a conceit. Let me explain. Think of a scene from a film in which a letter is being read, typically one of great importance to the plot. Most times you will see the recipient holding the paper, but the actual text is being read by its faraway author. This voice-over technique is vital because the audience will then be more apt to associate the words – which, by themselves, can be quite impotent – with the correct intonations. In short, our sympathies are being aligned for us, applied to the correct person through forced interpretation. Now, in reality this never happens (any voice in your head that isn't your own is freaking creepy). When you actually read something, you will read it with your own "stamp", essentially filtering the words through your own understanding. This fact, interestingly, works to the advantage of a writer who wishes to be seen as an artist, because interpretation is, perhaps, the heartbeat of any art form. But in some cases writing may pigeonhole and truly frustrate your desire for self-specificity. I would compare this to placing your reader inside an op-art gallery – without those little tags explaining what he/she is supposed to be seeing – yet so badly wanting the viewer to understand. Bingo; a conceit (literally meaning "a fanciful notion", not to be mistaken for egoism). The only time this seems to nag at me, or when I am more fully aware of this quasi-damned intention, is when I want to send a letter to someone and have it come across as an honest picture of who I am, not just of what I want to say. In truth, who I am is expressed profoundly outside of my words. Which is to say, I wish I was is New York right now. | | |
| Royal Quiet Deluxe
In a moment of sheer serendipity, an antique
typewriter was delivered to my door, jet black and heavy as two bowling
balls. The old thing was being tossed away by my relocating neighbors. It now sits
gloriously atop my dusty and
underused art-table, and I find myself just staring at it, admiring the
protruding keys that must be pressed a solid inch before an arm
comes slapping against the scroll-paper. It is a Royal Quiet
Deluxe, a
model on which Hemingway reportedly wrote many a classic. I type
with
haste, unconcerned with what is said so long as I hear the
delightful "ding" prompting me to push the return-bar back to its
original
margin. Inspired, I put on an old vest, an opaque visor, smoke a
cheap cigar and write about the dog-days of summer and the promises of
true companionship... you know, cliched sentimentality only
an old typewriter could appreciate. I sense a new beginning, a
bond that is left uncompromised by circumstance; stories
untold. Unfortunately, the darned thing doesn't come with a USB
port.
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